As the capstone for the spring 2018 graduate seminar “Slavery and Visual Culture in Jamaica,” the class traveled to the island in late May for a week of research.
The book Lunch with Olympia commemorates the exhibition of that name, held at the Yale School of Art’s Edgewood Gallery,that was co-organized by the then-Dean of the School of Art, Robert Storr, and Prof Carol Armstrong of the History of
Kaitlin McCormick joins Yale as Andrew W. Mellon Postdoctoral Fellow in Native American Art, a post held jointly in the Department of History of Art and the Yale University Art Gallery.
The Wall Street Journal recently published a review of the exhibition Hedda Sterne: Printed Variations, curated by first-year History of Art PhD student Michaela Haffner.
Considered at the time to be a “war to end all wars,” the First World War (1914-1918) left lasting scars on the people and places engulfed in the conflict.
Organized by a group of Yale students, curators and professors, the exhibition Picturesque and Sublime now on view at the Thomas Cole National Historic Site examines the impact of Anglo-American print culture on Cole’s emergence as a landscape painter.
